@thegownqub: SPORT: Fabio Capello and The Last Crusade: There is a great scene in Indiana Jones and the Last Crusade where th... http://t.co/LdLhkODr Go 2012/02/09 Facebook Us Twitter Us

The Gown Student Newspaper at Queen's University Belfast

Gown downloads page

Welcome
The Gown is a free, fortnightly independent student newspaper at Queen's University Belfast. more

« | »

REVIEW: I Dreamed a Dream

Where you were when you first heard Susan Boyle sing the iconic song from the musical ‘Les Miserables’ on ‘Britain’s Got Talen’t will be the question your children will ask when you talk about the noughties.  The album acts more as a souvenir to an overnight You Tube international phenomenon than a proper CD from a recording artist.

BY BRIAN SWANN

But when you give the album fair criticism and go beyond the hype, Boyle is mercifully restrained throughout. This is shown in her unexpected but ubiquitous version of ‘Wild Horses’ to her signature number, which recreates the moment that made her a worldwide star. The album’s easy-listening style ranges from dreamy to inspirational. From ‘Daydream Believer’, ‘Who I Was Born to Be’, and ‘Proud’, to a predictable but effortless approach to classic hymns such as ‘How Great Thou Art’, ‘Amazing Grace’, ‘Silent Night’.  Long-term plans for Boyle’s career may rest with Simon Cowell, but her ambition to become a professional singer will keep her focus wherever she may end up.

Tags: , , , , , , , ,

This entry was posted on Monday, February 1st, 2010 at 3:20 pm and is filed under Arts + Ents. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

Post comment as twitter logo facebook logo
Sort: Newest | Oldest

I think it's awful that Susan Boyle, A Simon Cowell commodity, should define the noughties.