Album Review: SBTRKT- SBTRKT

This is SBTRKT’s (pronounced “subtract”) first solo album, produced by himself with guest vocalists. SBTRKT made his name as an anonymous DJ, remixing high profile tracks for acts such as M.I.A and Basement Jaxx. Already shortlisted for new album release of 2012 by the Guardian, as a first release, this album has achieved a lot. It’s been a while since this type of electronic music has had any serious impact on the mainstream consciousness. SBTRKT edges into pop with a very approachable use of experimental bass, then harmonized with vocals over his arrangements.

BY PRIYA BIRING

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REVIEW: Snow Patrol – Kings of a Fallen Empire?

Snow Patrol returned to Belfast last week to play three headline shows in support of their new album, Fallen Empire. And with the rest of the tour spanning across the globe, there’s plenty to admire about the band. They’ve found a strong formula for writing accessible pop-rock songs, cracked into the charts and have consistently held their place for the last eight years. They’re doing astoundingly well in America too. All the more impressive when you realise some of them come from Bangor. It’s no wonder the press here think the world of them, granting them the second-stage headline spot at the MTV EMAs, as well as a place in Belfast’s 2012 advertising campaign.

BY LEE BRADY

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REVIEW: The Big Pink – Future This

Three years can be a long time in the music business, but it’s taken that long for English electro-rock duo The Big Pink to release their sophomore album Future This. The question is, was it worth the wait? The double act’s first album A
Brief History of Love was a hit with music pundits across the board, applauding their mix of soaring tunes, daring synth sets and their own brand of slick and painfully effortless cool. The Big Pink are all about big sounds with big ideas. However, Future This does not live up to their past success.

BY ROMANO MULLIN

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ARTS: Let’s Dance

When we use the term ‘dance music,’ do we really mean music we can dance to? Dance music is used as an umbrella term to house all those tantalizing remixes and sparsely lyriced tracks that lie in the abandoned warehouses and late night radio shows. However, categorizing dance music into genres is difficult. To begin with there is: house, trance, dubstep, techno, electronica… The list could go on for pages. The genre of dance music has turned into such a ridiculous genre that all the sub-sections and different divisions couldn’t possibly be contrasted. An act can pretty much come up with their own genre of music these days. For example, Gold Panda refers to himself as “progressive electronic influenced by African melodies”(!) Popular DJs who are associated with and heavily influence the dance scene include; Annie Mac, Pete Tong and Kissy Sell Out. And the variations in the styles of music they promote are hugely conflicting. Mac is a staunch believer in the power of drum and bass, sometimes venturing dangerously close to the mainstream, whereas Tong and Sell Out play far more trance, house and industrial.

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REVIEW: Lana Del Ray – Born To Die

It’s been a busy year for Ms. Del Rey. Her début album may only be winging its way to shelves, yet she’s already one of the most talked about figures of the past twelve months. The internet debate surrounding her astronomic ascent to fame having rendered the blogosphere positively explosive. Even her début Saturday Night Live performance inspired the ire of everyone from the Twitterati to Juliette Lewis, who compared Del Rey to “a 12 year-old in their bedroom pretending to sing and perform.” (Pot/kettle, anyone?)

 

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REVIEW: The Return of the Vikings

BBC4 has started broadcasting the acclaimed Danish political drama Borgen. From The Girl with the Dragon Tattoo and Let the Right One In to The Killing, Scandinavian films and television shows have taken our screens by storm. What is it that makes our Northern cousins’ brand of drama that is so appealing?

BY ROMANO MULLIN 

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REVIEW: Shine NYE – Japanese Popstars, Alex Metric & Foamo

New Year’s Eve is usually the biggest let down of the whole year. The build-up commences, the countdown rolls down, the tension is palpable and… we’re all a bit disappointed. However, bringing in 2012 at the Union were a healthy cast of home-grown and internationally renowned DJs. The sizeable line-up compromised of artists both familiar and unfamiliar to Shine, and all were highly anticipated.

BY PRIYA BIRING 

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