Disney’s latest animation sees the welcomed return to original hand drawn animation that defines the extremely recognisable, and much loved, Disney Studio style. Fans will revel in the indulgent colours of the New Orleans, jazz infused setting. With its array of marvellous characters, from every walk of life and, traditionally unique in true Disney fashion. Disney has managed to capture that level of awe in which children view the everyday through wonder, curiosity and enthusiasm.
BY LAURA SHEARER
The Gown’s news editor, Lorcan Mullen, had a report published in today’s Education Guardian. This report stemmed from The Guardian’s interest in the front story of The Gown’s last issue (‘Leaked Government report: freeze fees, raise grants’).
With the Oscars less than a fortnight away, audiences must exercise caution when choosing a film to go and see. Oscar dramas are a tricky class of film. Taking as an example last year’s Oscar race, for every ‘Gran Torino’ and ‘Frost/ Nixon’ there was a ‘The Curious Case of Benjamin Button’ or ‘The Reader’. If you’re lucky, you could get something moving and riveting. If unlucky, however, you might end up with a dull movie with terrible Oscar clips (the scenes in which venerable actors give loud and annoying bravura performances), which merely serve to startle you back into lucidity. The Last Station, oddly enough, falls between these two stools.
‘Adoration’ is the new film by Canadian-Armenian auteur Atom Egoyan, a director held in high regard by the art house crowd. His latest is a puzzle box of a movie that looks at terrorism with a complex and thought-provoking approach. It tells the story of Simon, a student, raising a kerfuffle when he presents the tale of a botched act of terrorism as the work of his own father. Egged on by Sabine, his French teacher, he develops the story, which spreads across the internet. Opinions get more and more reactionary and the situation soon spirals out of control.
The new film from Jean-Pierre Jeunet, of ‘Delicatessen’ and ‘Amelie’ fame, features quirky comedy, a plethora of weird characters and a political message. Through its comedic story, we are introduced to the homeless Bazil (Dany Boon), who takes revenge against two warring arms traders, both inadvertently responsible for his troubled existence. One produced the mine that killed his father; the other produced the bullet now lodged in Bazil’s brain. Assisting him in his seemingly futile mission is a diverse group of seven second-hand dealers, the “Micmacs”, each with a unique talent.