Tom Ford’s ‘A Single Man’ is a visually beautiful film whose shots linger over its subject matter with a studious intensity, reminding us that Ford is a designer and aesthete first, and a filmmaker second. It tells the tale of ‘light in his loafers’ lecturer George Falconer (Colin Firth) as he negotiates an L.A. day, typical but for the fact that George has decided this will be his very last day alive.
BY RIONNAGH SHERIDAN
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