
The School of English has caused panic among students by stating that bibliographies should be included in the word-counts of essays. This guidance was given via email on January 6, just three days before a deadline. This information is not contained in the rubric of essay questions. One second year student said: “The school has failed its students utterly.”
BY BEN FINCH AND ROMANO MULLIN
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On 15 December British author and journalist Christopher Hitchens passed away. He died of pneumonia, a complication of the oesophageal cancer he had been fighting since June 2010 - “A great voice falls silent. A great heart stops.”- Salman Rushdie.
2011 can be considered a good year in film, if you take a view that makes a few glaring omissions. While Hollywood stumbles on with its incessant remakes, reboots, re-imaginings, sequels, prequels, threequels and adaptations vibrant and vital filmmaking continues to come from other avenues.
Dan Gordon wrote and starred in The Boat Factory, a moving play about workers in the shipyards in East Belfast. Michael Condron delivered a fantastic array of accents, and the chemistry between the two actors was fizzing. A play starring only two people can get slightly dull and drag, but The Boat Factory was fast-paced, funny, and left you knowing an awful lot more about Belfast’s history.
It’s that time of year again; the Christmas decorations go up and the Continental market comes to Belfast. It’s one of the many examples of German-themed Christmas markets that are replicated all over the UK, but how authentic is it, and why are we are we so obsessed with the old-style version of Christmas?
The Red Hot Chilli Peppers scorched the O2 Arena with a fiery set-list that included a few tunes off their new album, I’m With You, as well as some old school favourites. On 4 November, Dublin was treated to a top-notch performance from Anthony Keidis, Flea, Chad Smith and new guitarist Josh Klinghoffer, who were opened by up-and-coming Californian collective Fool’s Gold. As an opening act they delivered a strong performance of neo-African-rhythmic-pop-rock that left the crowd grooving and ready for seduction from Flea’s funkilicious bass.